Collection Spotlight: Edward Gustav Eisenlohr art work and papers

Edward Gustav Eisenlohr was born in Ohio to a family of German immigrants. When he was two years old the family relocated to Dallas, where his father established Eisenlohr Drug Store. As a young boy living in Dallas, E. G. Eisenlohr showed a strong aptitude in art, a trait which continued into his adult life. He was instrumental in establishing the Dallas Art Association, forerunner of the Dallas Museum of Arts, in 1903. Eisenlohr studied art with Texas artists Robert J. Onderdonk and Frank Reaugh and at the Art Students’ League summer school in Woodstock, New York. He later took additional art training in Germany before returning to Texas. Eisenlohr drew inspiration for art subjects from the Oak Cliff area of Dallas and his travels to New Mexico, the Texas Hill Country, and the western areas of his adopted state. The collection includes artwork, clippings, correspondence, photographs, published works, scrapbooks, and three-dimensional objects reflecting his German family history and his interest in the landscape of the American Southwest. The matted works on paper consist of eleven lithographs, three pencil self-portraits, and one pencil sketch by fellow artist Ruth John Sanders.

Please take a look at the detailed finding aid available through Texas Archival Resources Online.


Image: Courtesy of Edward Gustav Eisenlohr art work and papers, Bywaters Special Collections, Hamon Arts Library, Southern Methodist University

Collection Spotlight: Vivian L. Aunspaugh Art Club records

The Vivian L. Aunspaugh Art Club was organized in 1945 by former and current students of Miss Vivian Louise Aunspaugh and others interested in studying art in Dallas. Miss Aunspaugh, a native of Virginia, studied art in New York and France prior to moving to Dallas in 1891. She soon taught art classes in local colleges and in 1898, with sculptress Clyde Chandler, established joint studio classes in Dallas. In 1902 the Aunspaugh Art School was founded in the Dreyfuss Building in downtown Dallas, the first art school in the southwest to offer classes in fine and commercial art. The following year Clyde Chandler moved to Chicago but Vivian Aunspaugh remained in Dallas and eventually moved the school to 3509 Bryan Street. Miss Aunspaugh taught art in Dallas for over 50 years until shortly before her death in 1960. The Vivian L. Aunspaugh Art Club met continuously until 1986, when the organization ceased operation. Continue reading “Collection Spotlight: Vivian L. Aunspaugh Art Club records”

GCI online exhibition – Octavio Medellin: Maya-Toltec Temples and Carvings

The Bywaters Special Collections staff are happy to announce that SMU’s Central University Libraries is now a part of the Google Cultural Institute. BSC staff, Ellen Buie Niewyk, curated the first GCI exhibition with archivist, Emily George Grubbs. Octavio Medellin: Maya-Toltec Temples and Carvings, 1938 is an exhibition curated from the holdings of photographs and documents of the artist from Bywaters Special Collections. Take a look!


Thank you to Emily George Grubbs, Archivist, Bywaters Special Collections, for this post!

Image: Courtesy of Octavio Medellin Art work and Papers, Bywaters Special Collections, Hamon Arts Library, Southern Methodist University

Collection Spotlight: G. J. Signaigo collection of theater materials

George Joseph Signaigo was a prominent Dallas businessman who co-owned the Brannon-Signaigo Cigar Company of Texas. The majority of the material in this collection consists of theater programs that were collected over the course of Signaigo’s life. The collection includes correspondence, ephemera, manuscripts, publicity and published works relating to the theater ca. 1910-1930. Most of the material originates from Dallas, Texas, but there is also material from New York City and other states and cities.

Please take a look at the detailed finding aid available through Texas Archival Resources Online.


Image: Courtesy of G. J. Signaigo collection of theater materials Bywaters Special Collections, Hamon Arts Library, Southern Methodist University

Open Access Week in October

Central University Libraries and Southern Methodist University present and invite you to Open Access Week 2016 at Southern Methodist University

Open Access Week at SMU will take place on October 24 – 28, 2016, in the Fondren Library. Three speakers will be highlighted in the Foyer of the Fondren Library on Oct 25, 26 and 28 and an informational table will be placed in the Collaborative Commons area,
Monday through Friday from 11am to 2pm. Continue reading “Open Access Week in October”

Collection Spotlight: Evaline Sellors Art Work and Papers

Evaline Sellors (1903 – 1995) was an artist and teacher active in the Dallas and Fort Worth area mainly from the 1930s through the 1960s. Primarily known as a sculptor, she also worked in ceramics, mosaics, and stained glass. Her work can be found in museums and private collections in the north Texas area. Sellors was instrumental in helping establish the Fort Worth School of Fine Arts; some of her students later became promoters of modern art in the city and were referred to as “The Fort Worth School.” The collection consists of a photography portfolio containing images of her work and photographs of the individuals who presented Sellors with the portfolio. Two pencil drawings by fellow artist and colleague, Octavio Medellin, made when studying the ruins in Chichén Itzá in 1938, are part of the collection.

Please take a look at the detailed finding aid available through Texas Archival Resources Online.


Image: Courtesy of Evaline Sellors Art Work and Papers, Bywaters Special Collections, Hamon Arts Library, Southern Methodist University

Gems from the Tyler, Texas Black Film Collection

The Tyler, Texas Black Film Collection is one of the signature collections of the G. William Jones Film & Video Collection. This collection of race films from the 1930s and 1940s were discovered in an East Texas warehouse in 1983 on miraculously well-preserved nitrate stock and transferred to safety film in 1985. With the advent of digital technology, this important collection of film history has been digitally restored and made available in the SMU Digital Collections. We’ve written before about the travels of the collection’s most well-know title, The Blood of Jesus. Here are three lesser-known gems of the collection with clips.

Continue reading “Gems from the Tyler, Texas Black Film Collection”

The travels of The Blood of Jesus

One of the most significant of the Tyler Race Films is The Blood of Jesus, written by and starring Spencer Williams.  As with many of Williams’ films, this is a study of the continuing conflict between good and evil, holiness and godlessness, church and juke joint.  Williams filmed it with a largely amateur cast and with a minimal budget in 1941 for distribution to the 1200 or so movie houses that catered to all-black audiences at that time.   Despite the limitations imposed by its restrictively small budget, “The Blood of Jesus” was a financial success. Continue reading “The travels of The Blood of Jesus”

Octavio Medellin: Maya-Toltec Temples and Carvings, 1938 on display

Please stop by the second-floor gallery outside of Bywaters Special Collections and view how the portfolio XTOL by Octavio Medellin was researched by the artist in 1938 and later published in 1947 by the Dallas Museum of Fine Arts, which preceded the Dallas Museum of Art. Work began in 1938 when Octavio Medellin spent six months studying the Mayan ruins at Chichén Itzá and Uxmal, located on the Yucatán in Mexico, and documented his travels with 181 black and white photographs that he compiled into a scrapbook entitled Maya – Toltec, Temples and Carvings, 1938 [all photographs in the exhibition are reproductions]. Continue reading “Octavio Medellin: Maya-Toltec Temples and Carvings, 1938 on display”

Robert Craft (1923-2015): An improbable life

American conductor and musicologist Robert Craft passed away on November 10 at the age of 92. Craft was best known as the advisor and close friend of Igor Stravinsky from 1948 until Stravinsky’s death in 1971; at times, he even lived in the Stravinsky home. But Craft was also a tastemaker in American classical music during the 20th century. He championed the works of composers Arnold Schönberg, Anton Webern, and Alban Berg by conducting and recording their music. He recorded a collection of Webern’s complete works, and he collaborated closely with Stravinsky and conducted recording sessions and premieres of the composer’s later works. Continue reading “Robert Craft (1923-2015): An improbable life”