The Hawn Gallery Presents: Michael Corris: Incidents on a Page: Dallas-Venice Dreamscapes: 1976-2020

Michael Corris, Incident on a Page XI: Self-Help (2016)
Michael Corris, Incident on a Page XI: Self-Help (2016). Pigment on aluminum. 17 x 22-inches.

Michael Corris: Incidents on a Page: Dallas-Venice Dreamscapes: 1976-2020
Online exhibition opening May 2020

The Hawn Gallery is pleased to present an online exhibition, Incidents on a Page: Dallas-Venice Dreamscapes, 1976-2020, of new works by artist, writer and SMU professor of art, Michael Corris. Corris has been active as an artist since the early 1970s, first as a member of the collective Art & Language in New York, and later, as a founding editor of the publications The Fox and Red Herring. Subsequently, he began teaching art criticism and art history in England, and eventually came to Dallas as Chair of the Division of Art at SMU in 2009. His expansive practice is not easily distilled into distinct categories or media, but rather maintains a sustained engagement with and critical analysis of the conditions of production and dissemination of art. Over the course of his career Corris’s work has taken many forms, including but not limited to essayistic writing, graphic design, curation, public intervention, community activism and organization, and education, responding to the needs of a given circumstance or lived situation. Thus, when faced with the necessary closure of the SMU campus in response to the COVID-19 pandemic—like the many artists whose exhibitions were suddenly put on hold—Corris was quick to adapt the work to a digital environment.

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