The Hawn Gallery Presents: Michael Corris: Incidents on a Page: Dallas-Venice Dreamscapes: 1976-2020

Michael Corris, Incident on a Page XI: Self-Help (2016)
Michael Corris, Incident on a Page XI: Self-Help (2016). Pigment on aluminum. 17 x 22-inches.

Michael Corris: Incidents on a Page: Dallas-Venice Dreamscapes: 1976-2020
Online exhibition opening May 2020

The Hawn Gallery is pleased to present an online exhibition, Incidents on a Page: Dallas-Venice Dreamscapes, 1976-2020, of new works by artist, writer and SMU professor of art, Michael Corris. Corris has been active as an artist since the early 1970s, first as a member of the collective Art & Language in New York, and later, as a founding editor of the publications The Fox and Red Herring. Subsequently, he began teaching art criticism and art history in England, and eventually came to Dallas as Chair of the Division of Art at SMU in 2009. His expansive practice is not easily distilled into distinct categories or media, but rather maintains a sustained engagement with and critical analysis of the conditions of production and dissemination of art. Over the course of his career Corris’s work has taken many forms, including but not limited to essayistic writing, graphic design, curation, public intervention, community activism and organization, and education, responding to the needs of a given circumstance or lived situation. Thus, when faced with the necessary closure of the SMU campus in response to the COVID-19 pandemic—like the many artists whose exhibitions were suddenly put on hold—Corris was quick to adapt the work to a digital environment.

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Mike Morris: Thoughts on books & videos, plus a few recommendations

Given the Hawn Gallery’s location in the Hamon Arts Library, one of the goals of the exhibition program is to reveal the natural intersections between art, artists, books, videos or other resources SMU Libraries provides. This posting is for those bibliophiles and videophiles who love to learn about what other people are reading and watching. When asked what books and videos have influenced his work, Mike Morris, artist of the film, ARK, and adjunct film studies professor at SMU, offered the following titles with a few extra recommendations.

·         Are there titles on particular artists or topics that you would say informed your work? If so, how?

Since this particular project was so engaged with working from the archive as source material, it would be difficult not to think about artists like Bruce Conner, Craig Baldwin, Stan Vanderbeek, or Jesse McLean. Conner, in particular, is notable for having used popular stock images to examine certain unconscious libidinal tendencies of society. His films like A Movie, Crossroads, or Report reveal many unspoken things that end up recorded in images and brought to light through montage. I hoped to do something similar with the footage used for ARK.

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ARK: exhibition now extended to December 9th!

ARK: Featuring a new experimental 35 mm film by Mike Morris
Now open through Sunday, December 9th
M – Th, 8 am – 9 pm; F, 8 am – 6 pm; Sat, 12 pm – 5 pm; and Sun, 2 pm – 9 pm
Free to the public | 214-768-3813
https://www.smu.edu/Libraries/hamon/exhibitions/Current

Ark new 2


Featured image: ARK, film still, 35 MM, footage from G. William Jones Film and Video Collection, Hamon Arts Library, SMU
ARK 
is curated by Emily Rueggeberg
Special thanks to Brad Miller and Friends of SMU Libraries
Sponsored by the G. William Jones Film and Video Collection