Perry Nichols (1911 – 1992), a Dallas native, was initially associated with the Texas regionalist artists of the 1930s and 1940s, and was also multitalented in many areas of art. Taught by local Dallas artists, Nichols entered the art world at an early age and worked in various art mediums throughout his life, including painting, particularly the technique called “trompe l’oeil” (“trick the eye”) mural painting, printmaking, and woodworking. The collection includes artwork, clippings, correspondence documents, ephemera, photographs, publicity, published works, and scrapbooks.
The Nichols collection consists of 11 works of art on paper and archival materials that include clippings, correspondence, documents, ephemera, photographs, publicity, and published works. The Nichols scrapbook contained artwork and archival material relating to the artist’s life and career. The items were removed for preservation purposes and placed in archival folders and boxes. A digitized copy of the scrapbook is available for viewing in Bywaters Special Collections. The archival material reflects Nichols’s diverse and multifaceted art career which included painting, printmaking, woodworking, and teaching. Supporting material consists of invitations to gallery openings, photographs of his family and friends, including some from his military days in San Antonio, and images of his paintings, murals, and “trompe l’oeil” work.
Please take a look at the detailed finding aid available through Texas Archival Resources Online.
Image: Courtesy of Perry Nichols Collection, Bywaters Special Collections, Hamon Arts Library, Southern Methodist University
While travelling recently, I had a chance to attend a screening of the documentary film Eva Hesse, directed by Marcie Begleiter. The film draws from the large collection of diary entries and letters written by Hesse, now housed at the Allen Memorial Art Museum in Oberlin, Ohio, and makes generous use of archival photographs and footage of Hesse and her circle of New York City artists and writers during the 1960s. Featured in this film are Sol LeWitt (1928-2007), with whom Hesse maintained a close friendship, Robert Mangold and Sylvia Plimack Mangold, Paul Thek, Lucy Lippard, her former husband, Tom Doyle, and her older sister, Helen Hesse Charash, among others. The actress Selma Blair is the voice-over for the selected passages from the diaries and letters. Most of the still photography is black-and-white, and a few of the photographs are manipulated very subtly so that they appear to be slightly moving, creating a haunting effect. Hesse’s artwork presented in the film is beautiful, poignant, and profoundly personal.
Mary Doyle (1904 – 2000), a Texas native, devoted her adult life to the art education of Dallas children and to the printmaking profession. She participated in many of the exhibitions organized by the women’s printmaking group the Texas Printmakers, formerly the Printmakers Guild, and remained active in art education organizations and other art groups: the Arlington [Texas] Art Association, the Dallas Art Education Club, the Dallas Museum of [Fine] Arts, the Dallas Print Society, and the Texas Fine Arts Association. The collection includes artwork, clippings, correspondence, documents, photographs, publicity, and published works related to her teaching and art career. The artwork consists of works by Doyle and her contemporaries. Continue reading “Collection Spotlight: Mary Frances Doyle art work and papers”
Just in time for finals, the Libraries staff have released a playlist to help you focus while meeting your deadlines. A variety of musical styles are represented, including The Smiths, Leon Bridges, and W.A. Mozart (Rock me, Amadeus was an honorable mention). Here are some highlights, and you can experience the full playlist on Spotify. Continue reading “We made you a playlist”
Artist and educator, Carlotta Corpron (1901-1988) is the subject of one of the current exhibitions at the Meadows Museum. Process and Innovation: Carlotta Corpron and Janet Turner, on view through June 5, 2016, presents the art of two women who worked as both artists and professors at separate Texan universities during the twentieth century. Highly experimental, both artists would come into their maturity of style in their respective media of photography and printmaking while teaching in Texas. Continue reading “Carlotta Corpron: Photography and Light”
The art exhibition Scott Gleeson: Travels in Ithaca charts an uncertain and perilous itinerary through the spaces of the Hamon Arts Library Foyer, Lobby, and the Mildred Hawn Gallery, calling viewers’ attention to the social costs of warfare as seen through the lens of Homeric myth. Each of the twelve graphic works in this site-specific installation reference significant events in the life of Odysseus leading up to his return to Ithaca and eventual murder at the hands of his illegitimate son Telegonus. Together, the twelve works constitute a theoretical proposition about one possible role abstract image making or architectural ornament might play if creative professionals chose to address veterans’ issues in their practices. The overarching question proposed by the exhibit is, “What is the social role or responsibility of the artist in responding to the social costs of war, promoting cultural memory of historical events, and facilitating the healing process for veterans and communities?” To address this question Travels in Ithaca imagines a very specific problem with psychotraumatology literature on the Eye Movement Desensitization and Reprocessing therapy method: “How shall patients benefit from therapy in the absence of the therapist given the problems with long treatment delays in the VA healthcare system?” Travels in Ithaca posits deploying cheap, modular architectural ornamentation and graphic imagery designed to facilitate the self-administration of the EMDR method within domestic or institutional interiors.
Following the announcement of David Bowie’s death in January, a number of memorials have been published praising and critiquing the singer’s other contributions in the arts. Indeed, he was not just a cultural icon involved in music, fashion, film, and theater; in the 1990s, he also wrote about contemporary art.
In conjunction with Hamon’s spring 2016 exhibition, Scott Gleeson: Travels in Ithaca, a site-specific art installation in the Library’s Mildred Hawn Gallery and Hamon lobby, the panel discussion, Social Costs of War: Trauma and the Trials of Homecoming, raises awareness of the sociological implications of war since the terror attacks of September 11, 2001. Experts in veteran advocacy, brain trauma studies, and combat veterans will deliver 10-minute talks followed by a discussion. Local panel participants include: Donna Cranston, Executive Director of Defenders of Freedom (DoF); a US Combat Veteran and DoF client; Christina (Tina) Bass, M.S., LPC, Psychotherapist and PTSD research assistant, UTDallas Center for Brain Health; The panel moderators are Dr. Alicia Meuret, Associate Professor of Psychology and Director of the Anxiety and Depression Research Center, Dedman College, SMU; and Scott Gleeson ’09, visual artist.
The panel, organized in conjunction with Scott Gleeson: Travels In Ithaca, is held as part of the Library’s 25th anniversary celebration.