Michael Corris: Incidents on a Page: Dallas-Venice Dreamscapes: 1976-2020 Online exhibition opening May 2020
The Hawn Gallery is pleased to present an online exhibition, Incidents on a Page: Dallas-Venice Dreamscapes, 1976-2020, of new works by artist, writer and SMU professor of art,Michael Corris. Corris has been active as an artist since the early 1970s, first as a member of the collective Art & Language in New York, and later, as a founding editor of the publications The Fox and Red Herring. Subsequently, he began teaching art criticism and art history in England, and eventually came to Dallas as Chair of the Division of Art at SMU in 2009. His expansive practice is not easily distilled into distinct categories or media, but rather maintains a sustained engagement with and critical analysis of the conditions of production and dissemination of art. Over the course of his career Corris’s work has taken many forms, including but not limited to essayistic writing, graphic design, curation, public intervention, community activism and organization, and education, responding to the needs of a given circumstance or lived situation. Thus, when faced with the necessary closure of the SMU campus in response to the COVID-19 pandemic—like the many artists whose exhibitions were suddenly put on hold—Corris was quick to adapt the work to a digital environment.
Edward Gustav Eisenlohr was born in Ohio to a family of German immigrants. When he was two years old the family relocated to Dallas, where his father established Eisenlohr Drug Store. As a young boy living in Dallas, E. G. Eisenlohr showed a strong aptitude in art, a trait which continued into his adult life. He was instrumental in establishing the Dallas Art Association, forerunner of the Dallas Museum of Arts, in 1903. Eisenlohr studied art with Texas artists Robert J. Onderdonk and Frank Reaugh and at the Art Students’ League summer school in Woodstock, New York. He later took additional art training in Germany before returning to Texas. Eisenlohr drew inspiration for art subjects from the Oak Cliff area of Dallas and his travels to New Mexico, the Texas Hill Country, and the western areas of his adopted state. The collection includes artwork, clippings, correspondence, photographs, published works, scrapbooks, and three-dimensional objects reflecting his German family history and his interest in the landscape of the American Southwest. The matted works on paper consist of eleven lithographs, three pencil self-portraits, and one pencil sketch by fellow artist Ruth John Sanders.
Please take a look at the detailed finding aid available through Texas Archival Resources Online.
Image: Courtesy of Edward Gustav Eisenlohr art work and papers, Bywaters Special Collections, Hamon Arts Library, Southern Methodist University
The Vivian L. Aunspaugh Art Club was organized in 1945 by former and current students of Miss Vivian Louise Aunspaugh and others interested in studying art in Dallas. Miss Aunspaugh, a native of Virginia, studied art in New York and France prior to moving to Dallas in 1891. She soon taught art classes in local colleges and in 1898, with sculptress Clyde Chandler, established joint studio classes in Dallas. In 1902 the Aunspaugh Art School was founded in the Dreyfuss Building in downtown Dallas, the first art school in the southwest to offer classes in fine and commercial art. The following year Clyde Chandler moved to Chicago but Vivian Aunspaugh remained in Dallas and eventually moved the school to 3509 Bryan Street. Miss Aunspaugh taught art in Dallas for over 50 years until shortly before her death in 1960. The Vivian L. Aunspaugh Art Club met continuously until 1986, when the organization ceased operation. Continue reading “Collection Spotlight: Vivian L. Aunspaugh Art Club records”
The Bywaters Special Collections staff are happy to announce that SMU’s Central University Libraries is now a part of the Google Cultural Institute. BSC staff, Ellen Buie Niewyk, curated the first GCI exhibition with archivist, Emily George Grubbs. Octavio Medellin: Maya-Toltec Temples and Carvings, 1938 is an exhibition curated from the holdings of photographs and documents of the artist from Bywaters Special Collections. Take a look!
Thank you to Emily George Grubbs, Archivist, Bywaters Special Collections, for this post!
Image: Courtesy of Octavio Medellin Art work and Papers, Bywaters Special Collections, Hamon Arts Library, Southern Methodist University
I have the pleasure of working with the International Arts Management graduate students here in Meadow’s Arts Management and Arts Entrepreneurship (AMAE) division. They represent a diverse mix of academic backgrounds and nationalities – coming out of film, theater, visual art, performing arts, or humanities backgrounds and originating from the United States, Europe, Canada, South America, Central America, Asia, and Australia. These students are in Dallas only for the first semester of their program before traveling to study at HEC Montreal and SDA Bocconi in Milan with a two-week stopover in Bogota, Columbia. Taking in everything they can from every place they study, they are obviously determined to gain a wide variety of experiences, and their visit to Hamon Arts Library was no different. Continue reading “Arts Management students tour Bywaters Special Collections”
Film historian and collector, Jeff Gordon, has collaborated with Hamon staff on a fall 2016 installation of seven movie posters from his collection. These stunning and brightly-hued posters join an earlier loan of Dorothy Lamour’s Beyond the Blue Horizonposter also on view on the first floor of the Library. In addition to this installation, Mr. Gordon also agreed to the Blog’s invitation to write comments about his early and sustained interest in movies and memorabilia, and the unique context of each poster in the history of mid-20th century American film. Continue reading “Jeff Gordon on his collection of film posters at Hamon”
DeForrest H. Judd, a native of Hartsgrove, Ohio, lived most of his life in Dallas working as an artist and teaching at Southern Methodist University. Judd’s keen observation of everyday life and nature influenced him to paint, draw, and print his interpretations onto canvas, paper, and copper enamels. As a professional artist and teacher, Judd taught numerous students at SMU and summer workshops in Arkansas, New Mexico, and Texas. Continue reading “DeForrest Judd, Sketches of Texas Regions – Big Bend, Caddo Lake, Gulf Coast”
In the spring of 2009, I received a telephone call from Atlee Phillips, Texas art specialist at Dallas’s Heritage Auction Galleries. Although I’d never met Atlee, she told me that I’d soon think of her as “my new best friend.” A few days later, she arrived in my office with numerous photographs of a painting of the Battle of San Jacinto by Texas painter Henry Arthur McArdle (1836-1908). Although I knew that this painting had been executed in 1901, I had assumed it to have been destroyed in a fire and had stated as much in a footnote in my 1992 book, Painting Texas History to 1900. But Atlee’s photographs, taken by members of McArdle’s family, who owned the house in West Virginia where the painting had been stored in an attic since the 1950s, proved me wrong (fortunately). In November 2010, Heritage auctioned the painting, which was purchased by a private collector in Texas. Continue reading “Strange inheritance”
Georgia Erger is Hamon’s first Curatorial Fellow for the Hawn Gallery. She joined the staff last month at the beginning of July 2016. As Curatorial Fellow, she is responsible for much of the work in the Hawn Gallery, including development and installation of three exhibitions for the fall and spring semesters, publicity, and archival management of the gallery’s exhibition history. Previous to coming to Hamon, Georgia was Program Assistant, John B. Aird Gallery, and the Windgate Postgraduate Intern in Museum Studies at the Baum Gallery of Fine Art, University of Central Arkansas. Georgia completed her BA in art history at the University of Toronto, University College, and her MA at the Courtauld Institute of Art, London. We are thrilled to have her. Let’s get to know her better… Continue reading “Meet Georgia Erger, Curatorial Fellow for the Hawn Gallery at Hamon”