Film Screening at the DMA: Ghosts of Lost Futures on May 22

Ghosts of Lost Futures video stillIs a spectre haunting the archive? Do the films collected there proclaim a history that is no longer or a future that is not yet here? Is there something to reclaim in the bits of visual history that have been rescued in the archive? Have you felt the horizon closing before your eyes, the promise of the future you’ve been waiting for becoming a perpetual, timeless present? Cultural theorist Mark Fisher describes a tendency in contemporary culture he refers to as “hauntological” that refuses to give up on a lost future that no longer seems possible. “This refusal gives the melancholia a political dimension, because it amounts to a failure to accommodate to the closed horizons of capitalist realism.”

In partnership with the Dallas Museum of Art, the G. William Jones Film and Video Collection and the SMU Libraries will present Ghosts of Lost Futures, a screening of new, commissioned videos from 10 artists using footage held in the WFAA News Film archive. The screening will be held in person at the DMA’s Horchow Auditorium on Saturday May 22nd at 3pm. This screening is Free, but for safety, it will have limited capacity and requires RSVP via the DMA’s website here: https://dma.org/programs/event/film-screening-ghosts-lost-futures

This program, Ghosts of Lost Futures, features new video works by 10 artists commissioned by the G. William Jones Film and Video Collection. Each artist was given access to the same cache of footage from the WFAA Newsfilm Collection shot in Dallas in 1970, the year of the archive’s founding. The program was intended to celebrate the 50th anniversary of the archive, but due to the COVID-19 pandemic and the resulting lockdowns, the program was not completed until the spring of 2021. The artists were given complete freedom in how they reinterpreted the footage and its historical context. The resulting works are profound meditations on mourning, melancholy, disaster, and various reinterpretations of the events of 2020 and 2021 through images of Dallas’s past.

Artists in this program:

Amber Bemak (Dallas, TX)
Marwa Benhalim (Cairo, Egypt)
Melanie Clemmons (Dallas, TX)
Curt Heiner (Denver, CO)
Zak Loyd (Dallas, TX)
Lisa Mccarty (Dallas, TX)
Sean Miller (Dallas, TX)
Angelo Madsen Minax (Brooklyn, NY / Burlington, VT)
Liz Rodda (Austin, TX)
Tramaine Townsend (Dallas, TX)

Program curated by Michael A. Morris

Commissioned by the SMU Libraries and the G. William Jones Film and Video Collection
SMU Libraries Staff Advisors: Jeremy Spracklen, Scott Martin, Jolene De Verges, Beverly Mitchell

In 1970 the G. William Jones Film and Video Collection was founded at Southern Methodist University and was then known as the Southwest Film/Video Archives. Currently part of the SMU Libraries, it is home to many important collections of films and videos from the region, including the WFAA Newsfilm Collection.

Curatorial Minds Lab – spring 2021 fellows & upcoming events

Please join us in welcoming the five fellows for the spring 2021 Curatorial Minds Lab cohort, hosted by the Hawn Gallery in the Hamon Arts Library, SMU.  

CML logo
Aidan Ellis (she/her) is a second-year student from Austin, TX pursuing majors in Film & Media Studies and English with minors in Human Rights and Art History. She applies her diverse academic interests to examine how the ideation, production, curation, and reception of cultural texts respond and relate to Human Rights topics and issues. She is particularly fascinated by texts as mechanisms for empathy, and she hopes to produce and curate texts in ways that utilize this mechanism to achieve meaningful, cross-cultural understanding.

Elise Huff is a recent graduate from Southern Methodist University. During her time as an undergraduate, she was a recipient of SMU’s Engaged Learning Fellowship, conducting independent research on the intersection of nonverbal and verbal modes of communication and its impact on 1st and 2nd generation Germans and Mexicans in the United States. Recently, she interned for the Dallas Art Fair, as well as Site 131, a contemporary art gallery. She currently is enrolled in Harvard’s CopyrightX program, examining topics related to art law, as well as intellectual and cultural property. Elise plans to pursue a master’s degree in art history this upcoming fall, and her primary research interests include the use of legal documents in Conceptual art and the role of authorship in collaborative or performance-based works.

Adrienne Lichliter-Hines is a printmaking and paper artist and educator working in Dallas, Texas. She received her MFA from Clemson University in 2014 and has a Bachelors of Arts in art history and painting from Southern Methodist University. Her work has been shown throughout Texas and the United States as well as abroad in China, Japan, Egypt, Italy, and the UK. She has been an invited resident artist at The Kala Art Institute in Berkeley CA, 100 West in Corsicana TX, Artscape in Toronto, Canada, and Zygote Press in Cleveland OH. She is currently the Marketing and Programs Manager of The Cedars Union, a nonprofit art incubator in Dallas, TX, and the Advisory Board President of Corsicana Artists and Writers Residency. Adrienne maintains a modest studio practice exploring photographic textures and non-objective mark-making through lithography in an effort to challenge the hierarchy of commodified attention.

Gabriela Paiva de Toledo is a second-year Ph.D. student in the RASC/a: Rhetorics of Art, Space, and Culture at Southern Methodist University. She received her B.A. in History with an Art History minor from the University of Campinas (Brazil) in 2015 and her M.A. in Art History from the same institution in 2017. Currently, her interests lie in Contemporary Brazilian art and photography.

Sophia Salinas is a senior SMU undergraduate student working towards a BA of Art History and a BBA in General Business. She has focused her studies on modern and contemporary art with attention to feminist theories of agency, embodiment, and technology, and is currently completing a thesis on Cyberfeminist Art Practices. She is also the current AAMD Intern in Museum Education at the Meadows Museum.ABOUT

Curatorial Minds Lab is a bimonthly gathering (online/on-campus) of SMU alumni and current students interested in deepening their understanding of the historical development of curatorial practices and the study of contemporary art display theory/practice including exhibition typologies and curatorial models. In the framework of this program, history, theory, contextualization, organization, and execution of curatorial projects will be discussed, evaluated, and critiqued.

The Curatorial Minds Lab is a program designed by SMU Pollock Gallery Director, Sofia Bastidas Vivar in collaboration with Assistant Director of the Hamon Arts Library and Hawn Gallery curator, Beverly Mitchell. The space for this theorization and practice will be in the Hawn Gallery at the Hamon Arts Library, accompanied by materials and texts.

CML fellows will also moderate a series of online public talks given by curators established or emerging in their careers. Included in these series are Taylor Renee Aldridge, Sofia Casarín, Yina Jiménez Suriel, and May Makki. Dates for this series are March 17, April 7, April 28 and September 22 at 5:30 pm.

For more information please contact: abastidas@smu.edu

Extended date to December 18 for Michael Corris: Incidents on a Page, Dallas-Venice Dreamscapes

Michael Corris, Retour à la Normale

Michael Corris
Incidents on a Page, Dallas-Venice Dreamscapes, 1976-2020
Extended to December 18
Hawn Gallery, Hamon Arts Library

The Hawn Gallery is pleased to extend this exhibition for one more week before the campus closure for the winter break on Monday, December 21.

SMU community hours (SMU I.D. required): 9 a.m.-9 p.m. Mon.-Thurs; 9 a.m.-6 p.m. Fri.; 12-5 p.m. Sat.; 2-9 p.m. Sun. Following Thanksgiving, Hamon’s hours change to Mon. – Fri. 8 am – 5 pm, closed weekends.

Public hours 12-5 p.m. After Thanksgiving by appointment during the weekdays. For appointments, please contact hawngallery@smu.edu.

SMU and all campus libraries require masks and six feet social distancing. Three people in the gallery at one time.

Continue reading “Extended date to December 18 for Michael Corris: Incidents on a Page, Dallas-Venice Dreamscapes”

Hawn Gallery presents Michael Corris: Incidents on a Page, Dallas-Venice Dreamscapes, 1976-2020

Michael Corris, Incident on a Page 2
Michael Corris, Incident on a Page 2

Michael Corris
Incidents on a Page, Dallas-Venice Dreamscapes, 1976-2020
September 21 – December 11, 2020
Hawn Gallery, Hamon Arts Library

The Hawn Gallery is pleased to announce Incidents on a Page: Dallas-Venice Dreamscapes, 1976-2020Michael Corris, SMU Professor Emeritus of Art, has been active as an artist since the early 1970s, first as a member of the collective Art & Language in New York, and later, as a founding editor of the publications The Fox and Red Herring. Subsequently, he began teaching art criticism and art history in England, and eventually came to Dallas as Chair of the Division of Art at SMU in 2009. His expansive practice is not easily distilled into distinct categories or media, but rather maintains a sustained engagement with and critical analysis of the conditions of production and dissemination of art. Over the course of his career Corris’s work has taken many forms, including but not limited to essayistic writing, graphic design, curation, public intervention, community activism and organization, and education, responding to the needs of a given circumstance or lived situation.   Continue reading “Hawn Gallery presents Michael Corris: Incidents on a Page, Dallas-Venice Dreamscapes, 1976-2020”

Allyson Packer: Sounding – now open until September 13th

visitors in front of Packer exhibitAs the Hamon Arts Library opens up for the fall 2020 semester, the Hawn Gallery is very pleased to announce that the spring exhibition, Allyson Packer: Sounding, is also open for viewing until September 13. This exhibition, about which more can be read below, opened on February 7. Due to the campus closing in March, this exhibition did not continue its full run to March 29. Members of the SMU community holding an active ID to come into any of the SMU Libraries are now welcome to experience this exhibition. As throughout the University, staff at Hamon have also taken measures to create a safe and healthy environment in the building. All SMU visitors must wear a mask, remain six feet apart, and hand sanitizer is on site as well. Gallery occupancy is limited to three people at a time.

A virtual walkthrough of the exhibition can also be viewed on Glasstire from its April posting.

To read more about this exhibition, please see an Interview with artist, Allyson Packer, on Sounding at the Hawn Gallery, Hamon.

Fall 2020 exhibition hours: Monday, Aug. 24 – Friday, Aug. 28 – 8 am – 6 pm; closed Saturday, Aug. 29.  Beginning Sunday, Aug. 30 – 2 – 9 pm on Sundays; Monday – Thursday, 8 am – 9 pm; Friday, 8 am – 6 pm; and Saturday, 12 – 5 pm until September 13.

♦♦♦

Continue reading “Allyson Packer: Sounding – now open until September 13th”

Research in the archives: Texas Made Modern

Spruce in Big Bend, c. 1935Since it opened in 1961, the Amon Carter Museum of American Art has always had a commitment to exploring the breadth and complexity of American creativity through its collections and exhibitions. Evaluating Texas art’s importance in relation to the museum’s collection and the larger canon of American art has been one of my focuses since 2013. Though I started to work on a potential exhibition on Texas artist Everett Spruce (1908–2002) that year, the museum world’s ever-changing nature redirected my attention to other urgent and pressing projects. Although it may not seem the case, scheduling exhibitions is like solving a Rubik’s cube—there are millions of combinations and only one solution. Changes to the permanent collection, timing and availability of an exhibition according to a lending museum’s guidelines, and the complexity of each installation (are there videos or special cabinetry needed? etc.) are only some of the factors affecting an exhibition’s timing. In 2019, all the colors aligned on each side of a Rubik’s cube for a summer 2020 exhibition of Spruce’s work. I had a shorter period than usual to curate the exhibition and write the catalogue for Texas Made Modern: The Art of Everett Spruce (August 18–November 1, 2020). Because many of Spruce’s works were available to see regionally in private collections, I thought my task would be much easier than I imagined. After meeting with the artist’s daughter, Alice Spruce Meriwether, who graciously shared the inventory she compiled of her father’s artwork, I discovered that Spruce had painted over 800 artworks during his lifetime, many of which are either lost or in unknown locations. Continue reading “Research in the archives: Texas Made Modern”

Collection spotlight: Everett Spruce Collection

photo of Everett SpruceThe staff of Bywaters Special Collections is excited about the upcoming exhibition, Texas Made Modern: The Art of Everett Spruce, at the Amon Carter Museum of American Art in Fort Worth. This exhibition, showcasing the work of the Texas regionalist artist, runs from August 18 – November 1, 2020. Shirley Reece-Hughes, Curator of Paintings and Sculpture at the Amon Carter, will curate the exhibition. The Everett Spruce Collection, located in the Bywaters Special Collections at Hamon, holds the artist’s personal papers and works of art on paper. The finding aid gives detailed information regarding the contents of these holdings:  http://legacy.lib.utexas.edu/taro/smu/00082/smu-00082.html.     Continue reading “Collection spotlight: Everett Spruce Collection”

Footage Found – SMU student collaborative project between Meadows and Jones Film and Video Collection

driver in bus with bullet hole in the windshield
Hobbes Reynolds, Media Supervision, 2020. Original footage from WFAA Newsfilm Collection, G. William Jones Film and Video Collection

Footage Found was a collaborative project between students in the Video Art course (ASPH 3315) in the Meadows Division of Art and the G. William Jones Film and Video Collection at SMU. The students were provided footage from the WFAA TV News Film archive, part of the Jones Collection’s holdings, to create new works from and which resulted in a screening at Top Ten Records hosted by the D/FW Experimental Film Society (DEx). This project was a fascinating opportunity for students to gain experience of working directly with an archive while also learning what it can mean to make a new artwork from existing materials. The results were provocative and enlightening on a number of levels.

Continue reading “Footage Found – SMU student collaborative project between Meadows and Jones Film and Video Collection”

The Hawn Gallery Presents: Michael Corris: Incidents on a Page: Dallas-Venice Dreamscapes: 1976-2020

Michael Corris, Incident on a Page XI: Self-Help (2016)
Michael Corris, Incident on a Page XI: Self-Help (2016). Pigment on aluminum. 17 x 22-inches.

Michael Corris: Incidents on a Page: Dallas-Venice Dreamscapes: 1976-2020
Online exhibition opening May 2020

The Hawn Gallery is pleased to present an online exhibition, Incidents on a Page: Dallas-Venice Dreamscapes, 1976-2020, of new works by artist, writer and SMU professor of art, Michael Corris. Corris has been active as an artist since the early 1970s, first as a member of the collective Art & Language in New York, and later, as a founding editor of the publications The Fox and Red Herring. Subsequently, he began teaching art criticism and art history in England, and eventually came to Dallas as Chair of the Division of Art at SMU in 2009. His expansive practice is not easily distilled into distinct categories or media, but rather maintains a sustained engagement with and critical analysis of the conditions of production and dissemination of art. Over the course of his career Corris’s work has taken many forms, including but not limited to essayistic writing, graphic design, curation, public intervention, community activism and organization, and education, responding to the needs of a given circumstance or lived situation. Thus, when faced with the necessary closure of the SMU campus in response to the COVID-19 pandemic—like the many artists whose exhibitions were suddenly put on hold—Corris was quick to adapt the work to a digital environment.

Continue reading “The Hawn Gallery Presents: Michael Corris: Incidents on a Page: Dallas-Venice Dreamscapes: 1976-2020”

Remembering Emanuel Borok

We in the Hamon Arts Library were saddened by the news that our friend Professor Emanuel Borok passed away on January 4. Among others, there have been many wonderful tributes to Mr. Borok by the Meadows School of the Arts and the Dallas Symphony, detailing accomplishments both in artistry as violinist and in teaching throughout his remarkable musical career.

Additional online forums and social media sites mentioned Mr. Borok’s kindness and beneficence as colleague, teacher, and friend. In Hamon, we experienced the same. It was always a pleasure to assist him when he visited. Simple library transactions—requests for purchasing or locating specific performing editions of music–invariably morphed into friendly chats, many times switching playfully from English to German or some other language. Topics ranged from travel stories, to favorite composers, and on one occasion, a recommendation for the Martin Scorsese film documentary My Voyage to Italy. He also supported the library by donating music scores and recordings to the Hamon collections.

I addressed Mr. Borok as “Il Maestro” and he would gently shake his head against such grandeur in address. But the designation was entirely appropriate. Merriam-Webster defines maestro as “a master, usually in an art” including an “eminent…teacher of music.” He met all of these distinctions and did so as a generous, kind person. It was a privilege to know him and he will be missed.

We invite our readers to share their remembrances in the comments, below.

Listen to Emanuel Borok

Emanuel Borok and Friends, all Beethoven concert, February 06, 2012


Pam Pagels, Music and Theater Librarian, Hamon Arts Library